Like many of you, I’ve been watching on with
some combination of horror and incredulity as ISIS has set itself to destroying
the artistic and archeological heritage of Iraq…and I’ve been particularly
drawn, also with bewildered disgust, to the actual video released by the
iconoclasts themselves (for once to use the term literally to mean “destroyers
of images”) so that the world can see their handiwork for itself. (If you are reading
this electronically, you can see an edited version with English-language
subtitles provided by the New York Times—42 seconds out of an original 300—by
clicking here. You can see the full video, but without the
subtitles, by clicking here. Both are very worth watching.)
The video begins with a young bearded man
wearing a huge Muslim-style yarmulke explaining that Muhammad himself
ordered “us” (by whom he presumably means all devout Muslims) to remove and
obliterate statues—I’m quoting here from the English subtitles—and then goes on
to note that his prophet’s companions heeded well his command as they captured
and conquered various countries in the region. As he speaks, the camera pans
some of the Mosul Museum’s treasures. (The Mosul Museum is Iraq’s second
largest gallery of ancient art, following only the National Museum of Iraq in
Baghdad in terms of the richness of its collection of antiquities.) And then we
get down to it. One after another, men climb up to the top of the pedestals on
which these ancient treasures are, or rather were, displayed…and push them over
onto the ground, where they are smashed to dust. And then, presumably as
statues were encountered that were too big merely to topple with the force of a
single person’s body weight, we see ISIS zealots using pick-axes, hacksaws, and
electric chisels to destroy statues, busts, and other, mostly larger, works of
ancient art. Nor do they invariably just let them fall to the ground: in
some cases we see them using their sledge hammers to smash the topped statues
and truly to pulverize them.
And then we are suddenly outside the museum at the famed Nergal Gate, once a city gate of old Nineveh, the capital of the Assyrian Empire, where we see zealots smashing the gigantic human-headed eagle-winged bulls, called lamassu, that were intended to symbolize the city’s determination to remain safe and secure from marauding outsiders. Nor was Mosul the only setting for ISIS’s iconoclasm. In Nimrud, in northern Iraq, ISIS militants used bulldozers to destroy one of the nation’s most important archeological sites, the remains of the capital of King Shalmaneser I (d. 1245 BCE). And many experts imagine that ISIS’s eyes will now turn to Hatra, known to movie-buffs as the setting for the opening scene in The Exorcist but in its own right one of the most culturally significant and well-preserved cities from late antiquity in Iraq.
And then we are suddenly outside the museum at the famed Nergal Gate, once a city gate of old Nineveh, the capital of the Assyrian Empire, where we see zealots smashing the gigantic human-headed eagle-winged bulls, called lamassu, that were intended to symbolize the city’s determination to remain safe and secure from marauding outsiders. Nor was Mosul the only setting for ISIS’s iconoclasm. In Nimrud, in northern Iraq, ISIS militants used bulldozers to destroy one of the nation’s most important archeological sites, the remains of the capital of King Shalmaneser I (d. 1245 BCE). And many experts imagine that ISIS’s eyes will now turn to Hatra, known to movie-buffs as the setting for the opening scene in The Exorcist but in its own right one of the most culturally significant and well-preserved cities from late antiquity in Iraq.
The world has reacted with predictable outrage.
The director of the Metropolitan Museum of Art, Thomas P. Campbell, for
example, described ISIS’s activities in Mosul as an act of “catastrophic
destruction.” Other authorities used
similarly strong language. A UNESCO official, for example, said that the ISIS “extremists are trying to
destroy the entire cultural heritage of the region in an attempt to wipe the
slate clean and rewrite history in their own brutal image.” But when I watch
these videos—and particularly the longer one, the one without subtitles—I feel
myself drawn into the story in two distinct ways, each related to my personal
worldview and Jewish faith.
For one thing, these people
are not as foreign to us as all that. In
the world out there, who even knows who the Assyrians are? It is true that there are sects of modern-day
Iraqi and Syrian Christians who call themselves Assyrians, but the real
Assyrians—the ones whose archeological remains have fallen victim to ISIS’s
sledgehammer…what average American even knows when or where they lived? To us,
on the other hand, these are familiar names. Whom the world calls
Tiglat-Pileser III, Jews (or at least Jews who know their Bible) know almost
familiarly just as Pul, the tyrant whom King Menachem of Israel bought off for
a mere thousand talents of silver. It was the Assyrian king Shalmaneser IV who
besieged the capital of the northern Kingdom of Israel and died during the
siege, leaving it to his successor Sargon II fully to defeat Israel and to take
the ten tribes of Israel who lived there into captivity, never to be heard from
again. And it was Sargon’s son Sennacharib, known in the Bible as Sancheiriv,
who laid siege to Jerusalem in the days of King Hezekiah and who would probably
have succeeded in conquering and razing the city if…something hadn’t
happened. (The Bible says that God sent an angel successfully to take out
185,000 of his soldiers, which naturally cooled his ardor to continue with the
campaign considerably.
Sancheiriv, on the other hand, left a report of the
campaign considerably more flattering to himself but with roughly the same
ending.) Plus, of course, it was to Nineveh itself that the prophet Jonah was sent…and what Jew doesn’t know that story
almost by heart? So when American
newspapers pause at length to explain who these Assyrians were whose art is
being demolished in Iraq, we whose lives are shaped by the study of Scripture
skip quickly ahead to the meat of the story: we know these people well and
hardly need to be introduced to them formally as though they were strangers
newly come to the ball.
So the eradication of these
monuments is also an attack, at least indirectly, on our history as well. But
there’s another aspect to the story that draws me in, one dramatically less
simple to negotiate. What these ISIS guys are doing is, after all, also not
so foreign to us…for the Torah too commands the Israelites not merely to turn
away from the idolatrous rituals of the Canaanite and their gods, but actually
to destroy their statuary and all the plastic appurtenances of their faith. Nor
is there anything even slightly ambiguous about the many passages that command
the faithful to “pulverize their altars, destroy their worship-steles,
chop down their worship-trees, and incinerate their idols.” And something along
those lines must well have happened, because, indeed, most of the nations whose
cultural artifacts Scripture condemns and orders utterly destroyed have indeed
left behind…nothing at all.
Yes, it’s true, of course,
that the larger context in Scripture justifies the destruction of these
idolatrous artifacts with reference to the worry that encountering a thriving,
lively cultural milieu without destroying its plastic imagery could lead to the
Israelites intermarrying with the Canaanites or, perhaps even worse, to
settling into a kind of peaceful co-existence with the very nations from whom
God has chosen to take their ancestral lands and grant them to the newly-freed
Israelites. So the parallel is hardly
exact: the Bible sees a real possibility of Israel being seduced into the
worship of alien deities, but ISIS is acting out of a fundamentalist loathing
for all statuary connected with ancient polytheistic civilizations even
though there is no conceivable possibility of Iraqi Muslims abandoning
their faith and choosing instead to worship the gods of ancient Assyria.
But, even so…there is
something challenging in those words from the Torah, words that command that a
nation not merely be defeated militarily but that its cultural artifacts be
destroyed utterly and, needless to say, permanently. Did our ancestors actually
do that? It’s true that there are no actual accounts in Scripture of Israelites
pulverizing Canaanite idols with the ancient equivalent of sledge hammers
(which, now that I think of it, probably were sledge hammers). But that
is thin balm indeed, the thought that it might not have happened. Far
more important to consider is the fact that the Torah wants it to
happen, wants the cultural heritage of ancient Canaan not to exist at
all, not merely not to be embraced.
Whether or not the Torah was presenting an
accurate picture of the cultural dangers that faced the Israelites with their
entry into Canaan, who can say?
Scripture clearly thinks so! But, regardless of how things were then,
more relevant is how things are now. And now, given that the works of sublime
artistry that ISIS has destroyed were ponies in a race that has been behind us
not for centuries but now for millennia…that surely has to be the relevant
point. Nor do moderns understand the legitimate rivalry between religious
worldviews as something rationally or reasonable adjudicated through the
demolition of the accouterments of one side by the faithful of the other.
Indeed, we live in a world in which different faiths seek to attract people to
their houses of worship and to their worship services by appealing to them
intellectually, spiritually, and emotionally…through the media of the printed
word, the broadcast speech, the uploaded video, and the proffered podcast. The
notion of seeking to spread the good word about one’s own faith is something
moderns have come to think of as a normal feature of a vibrant, diverse
religious society. But the notion of
going to war with ancient statues for the sake of eradicating their
non-existent pull on the heartstrings of the faithful…that is not proselytism
but savagery, not participation in thoughtful, respectful debate but the
negation of the notion that that kind of debate between people of different
worldviews itself is something worthwhile and potentially productive.
The destruction of the lamassu of
Nineveh, statues that Jonah himself may well have walked past on his way into
Nineveh, was unjustifiable barbarism with no rational justification. Speaking
of Jonah, by the way, he himself plays an unexpected role in this story as
well: ISIS blew up his tomb, or his alleged tomb, in Mosul just last July. (If
you haven’t had enough yet, click here to watch the tomb being demolished by a man
with a huge sledge hammer.) We live in a world in which the once unimaginable
has become commonplace. You would think that someone who has read as much
Shoah-based literature would be impervious to tales of brutishness and barbarism.
I’d have thought that too. But we’d both have been wrong.
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